While this film doesn’t introduce any new angles or particularly groundbreaking perspectives on the theory, it embraces the purposely awkward and intentionally artificial design of its world to tell a deeper story. Its commentary on society’s readiness to accept new technology without question is highlighted by the contrast between the complex idea of “visiting” the other side of the simulation using new technology and the raw feel of the world and character design.
Along with captivating visuals, the pacing and characterization elevated this film into one of the best watches of the festival this year. Slower solitary moments contrasted with intense, quick-fire arguments and fights between father and daughter, occasionally resulting in undeserved blows to innocent bystanders.
What sets the film apart from other crime-thriller films is the beating heart at its core. None of its characters (bar a few) actually want to be there, doing what they’re doing. Each one knows they’re only making their situation worse, that they’re teetering on a point of no return.
At Fantastic Fest 2026, co-Directors Scott Tinkham and Michael Woloson, and actors Joey Bader and Oliver Woolf, shared with us the process of creating Littermates, what it was like to work together, and the reasons behind focusing on siblinghood.
We had the opportunity to chat with Director Pegah Ahangarani about her process and journey in the making of Rehearsals for a Revolution. She retraces events that have influenced and shaped her personal and familial history alongside that of Iran and its people, reflecting on the significance of memory, the future, and the lives of those who refuse to give up.
Marty Waters, the VFX Supervisor of the film, had the mission to recreate the war-torn planet of Nu Earth and its toxic atmosphere. In June 2026, Rogue Trooper had its world premiere at the Annecy International Animation Film Festival, and I got the chance to speak with him about the process.
No interviewer asks Johansson an openly sexist question. What happens instead is sneakier: a slow pull toward her body, her appearance, and her personal life—even when the conversation is nominally about her work. Evans, along with her other male costars, gets pulled toward his choices, his craft, his career.
Gun belts, wide hats, and sunset duels, the cowboy has fueled the imagination of many authors, both in literature and film. Yet, the vision we have of these lonesome riders is not so faithful in depicting the real-life workers.
As the video features their tightest choreography to date alongside biting lyrics calling attention to their status as an irreplaceable powerhouse, the imitation begs the question: How does Park’s film factor into BTS’ long-awaited comeback?
